workshop

Yervant and Anie - The Photography Symposium 2016

“All good things must come to an end” and no better way to sum up the second day of Yervant and Anie’s Photography Symposium. This event rolled through Toronto as one of its many stops on June 15th, 16th and 17th.  I attended the event for 2 days and there was a master class on the third day which I opted out of.

It was an incredible experience and one I won’t soon forget. If you do get the chance to attend this event in your city, I strongly advise you do check it out, you won't be disappointed. Yervant and Anie put together an unbelievable program packed with a wealth of information, knowledge and not to mention an incredible line up of 6 industry professionals all experts in their particular area of photography. It took place at The Berkley Field House, a truly beautiful venue. It was geared at a smaller more intimate group of about 60-100 attendees which I feel was the perfect amount.

The two days were jam packed with information and personal stories and at times, astonishingly emotional and honest moments.  Yervant speaking about wedding photography and making us laugh hysterically.  Joe Buissink sharing his incredibly moving story of his childhood and why he is so passionate about wedding photography.  Sue Bryce sharing her brilliance on posing your subjects.  Michele Neal Celentano and her insistence on existing in your photographs because of her beautifully moving story.

There were a couple of common threads that were strung through these two days of presentations and stories. These recurring threads seemed to be:  if you work hard at your craft, you can achieve whatever it is you want for you and your business and you are worth it so charge your clients what you feel you are worth but keep in mind, you must deliver on that promise.

One thing in particular really struck a chord with me, the presenters kept re-iterating was with regards to printing your work.  Then I thought about it and we don’t print our work nearly as often as we should! You MUST print your work.  Preserve those moments in time through print as you never get a second chance to go back and relive those moments.  They are fleeting!

Remember, it’s not a photograph until it’s printed!  This statement really reverberated me and reminded me just how important it is for us photographers to print our work. Not only are you helping yourself but you are also helping to preserve our industry.

Workshops - Learning, Sharing, Shooting

When considering whether or not to attend a workshop, a lot of factors contribute to the ultimate decision of attending. They are a great way to expand your network as there will undoubtedly be other like-minded people to speak with, to share knowledge with and of course the obvious, to learn! Do I? or Don’t I? Of course the first one is cost followed by content followed by a series of questions: How will it benefit me? How long is the workshop? and who is giving the workshop?
When the Peter Hurley “Illuminating the Face” workshop was announced for Toronto, well that was a no brainer! I knew I had to attend as I had been waiting some time for this one to come to town. It took place back in March and this was an incredible opportunity to learn from the best in the industry. How could I possibly pass that up!? I figured I wasn’t going to get many chances to actually get to interact, to learn from him. I had to take advantage of being up close and personal with the one and only Peter Hurley. I found the cost to be incredibly reasonable. The location was right here in Toronto, so getting there was easy. The time commitment was only an 8 hour day. This was without a doubt something I had to do.
The workshop was put on by Henry’s Camera and they did an incredible job. I would like to say a huge thanks to them for putting this on. The workshop was also sponsored by Profoto and I have to say their gear is absolutely incredible, so easy to use and easy to work with. Their reps were so friendly and helpful.
It was an absolutely incredible day all around. It was a full, jam packed eight hour day where I got to learn from the master of headshots. I got to meet a ton of great people. Perhaps some of the nicest people I have ever met. Peter Hurley was such an incredible teacher. So easy to talk to, down to earth and just an all-around incredibly nice guy. It was such an invaluable experience I will never forget.

Headshots - Photographing the Photographer

I don’t know about you or anyone else for that matter but I can tell you with absolute certainty, I cannot stand having my photo taken.
When you think about it, is this really an oddity among photographers? I am not too sure it would be. I would much rather be the one behind the camera pressing the shutter and giving direction. I’d rather not be the subject and take direction.
On the other hand, I would say it’s a necessary evil for photographers to have a great head shot. We are after all trying to sell ourselves and when all is said and done, we are sensory, visual beings. It would be nice for the people hiring us to be able to see who they’re hiring instead of some faceless photographer.
Don’t get me wrong, I do have a head shot on my website. It’s a very dramatically lit, artistic photograph. I like it very much however is it appropriate for me to promote my services with this type of photograph? Probably not! I do realize I need to update it sooner rather than later. I have agonized over this realization for some time now but have decided it’s time I man up or bite the proverbial bullet and just get it done and over with.
I will be attending a photography workshop next month and it just so happens there are a couple of photographers offering a “photograph the photographer” photo session and I have signed up for it. So look out for a new head shot of me sometime later next month.